Is there a way to handle the long and the difficult “middle” portion of a story? How do you integrate subplots into the main plot? What are certain tools to create complex forces of antagonism? How can one have a strong thematic approach, without resorting to propaganda? What can we do to develop a rough outline into a full-fledged story without ignoring the temporal aspect of screenwriting? How do you use the Step Outline to structure your story better? For the first and the last time in this lecture series, Satyanshu shares with you some of the most useful tools of plotting. These are not rules, just extremely practical approaches you can use to plot your stories and do it well.